Known recording lineages of tapes available in
circulation
Grateful Dead
00 00 69 Pig Pen solo project (2 songs) 5 SB>Reels>DAT
With 2.18.71, this is all that is available from these sessions
2 18 71 Capitol Theatre, Port Chester NY 158
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
PCM501ES analog out > dolby A decoder > Apogee filter > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
2 19 71 Capitol Theatre, Port Chester NY 166
WBOTB: 7" 2-track BBD reel w/Dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (dolby *not* decoded)
2 20 71 Capitol Theatre, Port Chester NY 157
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48 kHz
Fostex D5 > Fostex D5
2 21 71 Capitol Theatre, Port Chester NY 170
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
2 23 71 Capitol Theatre, Port Chester NY 172
WBOTB: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
2 24 71 Capitol Theatre, Port Chester NY 137
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
4 5 71 Manhattan Center, New York NY 176
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)
PCM501ES analog out > Fostex D5 @ 48 kHz
4 6 71 Manhattan Center, New York NY 157
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
4 7 71 Boston Music Hall, Boston MA 97 (all)
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (dolby *not* decoded)
4 8 71 Boston Music Hall, Boston MA 164
WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > dolby A decoder > analog in PCMF1
PCM501ES analog out > Fostex D5 @ 48 kHz
12 14 71 Hill Auditorium, Ann Arbor MI 177
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
5 4 72 Olympia Theatre, Paris France 88 1
SB>7" Master Reels @ 7.5 IPS>PCM 501ES (Beta HiFi)>
PCM501ES analog out > Fostex D5 analog in 48 kHz
(with 5.26.73 set 3) (Greatest Story thru Two Souls)
5 7 72 Bickershaw Festival, Wigan, England 75 2p
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
...Other One > end
Togather with 4.22.79, Terrapin & 8.27.72IIIb
8 21 72 Berkeley Community Theatre, Berkeley CA 91 1p2
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 1: ...Casey Jones, Set 2: all
Togather with 8.22.72a
8 22 72 Berkeley Community Theatre, Berkeley CA 105 2
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
part a with 8.21.72, part b with 8.25.72, 6.22.73 & 6.14.76
8 25 72 Berkeley Community Theatre, Berkeley CA 46 all?
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Togather with 8.22.72b, 6.22.73 & 6.14.76
8 27 72 Veneta OR 203
Sets 1&2 are:
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 3 is not from Betty board (but is a *different* source
than the one above that was treed on r.m.gdead in June '94?):
WBOTB: Vault SBD, not Betty Board, exact pedigree unknown
IIIb togather with 5.7.72, 4.22.79, Terrapin
3 16 73 Nassau Coliseum, Uniondale NY 120
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 1 thru start of Playin', Set 2 from start of Morning Dew
thru Sugar Magnolia
3 21 73 Memorial Auditorium, Utica NY 233 all
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
3 22 73 Memorial Auditorium, Utica NY 127 1,2p
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Set 1: all, Set 2: ...Other One > end
with 10.9.80e1
3 24 73 The Spectrum, Philadelphia PA 148
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
part of set 1, all of 2 - (x)HCS thru end of show
3 28 73 Civic Center, Springfield MA 67 2p
WBOTB: 10" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
WRS thru end of show
5 26 73 Kezar Stadium, San Francisco CA (44.1) 236 SB>Reels>PCM>DAT
(I-122 min, II-114 min)
5 26 73 Kezar Stadium, San Francisco CA 249
(Set 3 is with 5.4.72)
6 22 73 PNE Coliseum, Vancouver British Columbia 223
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
(end of set 2 with 8.22.72b, 8.25.72 & 6.14.76)
8 xx 73 Wake Of The Flood Outtakes 69 SB>PCM>DAT
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
(with 4.7.71)
6 14 76 Beacon Theatre, New York, NY 45
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Togather with 8.22.72b, 8.25.72 & 6.22.73
6 15 76 Beacon Theatre, New York, NY 180
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
6 29 76 Auditorium Theatre, Chicago IL 183
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog
out > DBX type I decoder > analog in PCM501ES analog out >
PCM501ES analog out > Fostex D5 DAT at 48 kHz
(inludes interleave reel parts)
00 00 77 Terrapin Station 17
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Clone of the master reels - side 2 of the album
Togather with 5.7.72, 4.22.79 & 8.27.72IIIb
2 26 77 Swing Auditorium, San Bernadino CA 170
WBOTB: SB>7" Master Reels @ 7.5 IPS>PCM 501ES (Beta HiFi)>
PCM501ES analog out > Fostex D5 analog in 48 kHz
5 5 77 Veteran's Coliseum, New Haven CT 176
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out
>
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
5 7 77 Boston Garden, Boston MA 184
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out
>
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
(encore with 4.10.78)
5 8 77 Barton Hall, Cornell Univ., Ithaca NY 180
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out
>
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
5 9 77 War Memorial, Buffalo NY 178
WBOTB: SB > 7" Master Betty Reels @ 7.5 IPS > PCM501ES analog out
>
DBX type I decoder > analog in PCM501ES analog out > PCM501ES
analog out > Fostex D5 DAT at 48 kHz
4 22 79 Spartan Stadium, San Jose CA 48 2p
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
...He's Gone > Around & Around (Brent's first show)
Togather with 5.7.72, Terrapin & 8.27.72IIIb
10 9 80 Warfield Theatre, San Francisco CA 47 e1p
WBOTB: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz
Stranger > Brown Eyed Women(x)
With 3.22.73